Divergence between VIVANT and The House of the Ninja on Netflix

“The ‘House of Ninjas’ starring Kento Kaku (34), which started streaming on Netflix from February 15th. As the title suggests, it’s about ninjas, but it’s a new kind of ninja story that we haven’t seen much of before.

The story revolves around a clandestine ninja clan secretly working to save the nation from crises as a covert government organization. Ninjas are a unique part of Japanese culture and are popular worldwide with high recognition. Bringing this into the modern era, the series portrays it not comically but as a traditional conspiracy suspense action, making it somewhat exotic and captivating.

In reality, not only did it top the charts in numerous countries after its release but also entered the top 10 in nearly 100 countries and regions. It’s safe to say that it has ‘appealed globally,’ wouldn’t you agree?” (Entertainment Writer)

The genre is the same – conspiracy suspense. So, what exactly was the significant difference with “VIVANT”? A columnist well-versed in drama affairs commented as follows.

“First and foremost, it’s the focus on ninjas, a unique aspect of Japanese culture. Additionally, they incorporated high-quality action and elements like terrorist threats, which are easily understandable worldwide. However, one could argue that if we consider just these aspects, ‘The House of Ninjas’ is merely a transformation of the ‘Separate Unit,’ a secret organization in ‘VIVANT,’ into ninjas.

But what felt most different was how ‘The House of Ninjas’ meticulously depicted the Japanese spirit. The intricacies of Japanese familial bonds, the struggles of being bound by tradition and rules… ‘The House of Ninjas,’ perhaps due to its American director, portrays these struggles of Japanese society in a very philosophical manner. Personally, rather than the ninjas, it was through these depictions that I felt the essence of Japan in this work the most.

The success of ‘The House of Ninjas’ this time made me feel the potential of Japanese dramas. If we analyze and incorporate the reasons for this success thoroughly, I don’t think we should give up on the sequel to ‘VIVANT’ just yet.”

The challenge of Japanese dramas on the global stage has only just begun.

*FRIDAY Digital welcomes your information and tip-offs. Please send your information to the following information form or to the official X.
Information Form: https://friday.kodansha.co.jp/tips
Official X: https://twitter.com/FRIDAY_twit