Tetsuya Takeda Reveals His Secret to Youthfulness and Why He Embraces Being Called “Old-Fashioned” | FRIDAY DIGITAL

Tetsuya Takeda Reveals His Secret to Youthfulness and Why He Embraces Being Called “Old-Fashioned”

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Takeda Tetsuya, with more than 50 years in show business

A new challenge at 65

“Men need to look at erotic things. When it comes to this, I don’t think there’s any need to hold back or feel embarrassed.”

When asked about the secret to staying young, actor Tetsuya Takeda (77)—who has reached the milestone of his 77th birthday—gave a direct answer.

On May 20 this year, he released his book “Hanasake Jīsan: Jinsei Kōhan no Kyōkasho” (A Textbook for the Second Half of Life), published by Futabasha. In the book, Takeda offers his own unique perspectives on issues faced by people of his generation, including marital troubles, feelings of loneliness, forgetfulness, and worries about the future.

“The vulgarity and indecent desires that exist within ourselves actually come from surprisingly deep places. I think they are like a kind of signal transmitted from the very depths of life itself.

The same goes for bodily waste. Sometimes when you look at it, you can clearly see that it has the shape of your intestines. It’s called ‘ben’ (waste), but in a way it’s literally a message from within and something you can rely on.

The desire for erotic things may also be a message coming from inside the body.

Ignoring those messages may mean treating your own life carelessly. So, everyone should watch adult videos or look at photo books to their heart’s content and properly receive the messages your body is sending you!”

Takeda became a household name with the folk group Kaientai, and as an actor he appeared in television classics such as Class 3B Kinpachi-sensei and the 101st Proposal. Having lived through the entertainment industry from the Showa era to the Reiwa era, Takeda now looks back on his life and shares his own philosophy on how to approach aging.

“In my 60s, I thought, ‘I’m not going to lose to young people. Don’t treat me like an old man.’

But after reaching my mid-70s, I started thinking strongly, ‘In my 60s, I was just being stubborn. I’m already an old man.’

When I meet staff members I work with or old friends from my hometown who lived through the same era with the same youthful energy, they remind me where I am in my own journey through life.”

Still, quietly growing old is not Takeda’s style. At the age of 65, he began a new challenge.

“Aikido. I had always wanted to learn something new. The reason is that I often play the role of a teacher, and I’m always the one teaching others.

But in reality, it’s much more enjoyable to be the person learning something new from someone else.

At the time, I was deeply absorbed in reading the works of literary scholar Tatsuru Uchida (75), who practiced aikido himself. So I decided to go to the dojo of the teacher Uchida studied under.

This dojo is very strict. There is no special course for elderly people. People of all ages and genders train together, and there are even days when I practice against junior high school students.

I repeatedly throw and get thrown by younger people.”

At the dojo, he also encountered an unexpected connection.

“During his lifetime, Ken Takakura (died at 83) used to train there. When I first started attending, someone at the dojo asked me, ‘Were you recommended by Ken-san?’

However, not long after I began training, Ken-san passed away. I felt there was a mysterious connection there.”

Takeda made his debut in 1972 as a member of the folk band Kaientai. Although he is a veteran entertainer with more than half a century in the industry, he says there is one belief that has remained unchanged from his younger days until now.

Takeda’s new book, “Hanasake Jīsan: Jinsei Kōhan no Kyōkasho (A Textbook for the Second Half of Life) (Futabasha),” is now on sale and receiving positive reviews.

“Shall I teach you what was good about the Showa era?”

“It means wanting to be unique. When I made my debut in the 1970s, my hometown of Fukuoka was home to incredible talents such as Akira Inoue, Tulip, and Sheena & The Rokkets. If I didn’t do something completely original, my own talent would simply be blown away by theirs.

That’s why I would take songs like The Beatles’ “Yellow Submarine” and rearrange them in a comic-song style. People around me told me, ‘Stop doing that, it’s uncool.’ But even if I sang The Beatles properly, there was no way I could compete with Akira Inoue.

Looking back, the detective character I played in the film ‘Detective Story,’ who fought using a clothes hanger as a weapon, and the protagonist I played in ‘The 101st Proposal,’ who jumps in front of a truck to win over the woman he loves, were both incredibly unique characters.

Even in my 70s, I want to remain a unique old man.”

Takeda is still active today. He has a reputation for being willing to stir controversy, often drawing criticism for risqué comments on radio programs. But how does he view that image himself?

“A controversy is a situation where you’re outnumbered. There’s no way you can win. However, I have always felt that I should at least be allowed to respond to opinions online.

Recently, during an interview on a program, a young person used the phrase, ‘You’re so Showa.’ It really irritated me. I thought, ‘Do you even know what the Showa era was?’

Older people lived through the Showa era from the postwar period onward. It wasn’t an era that someone could casually dismiss by saying, ‘That’s so Showa.’ There were legendary stars like Ken Takakura and Hibari Misora. I almost feel like saying, ‘Should I teach you what was great about the Showa era?’

And yes, there were also many wonderful women in the Showa era. (laughs)”

Takeda, who seems to become even more energetic with age, concluded the interview by telling the reporter:

“I want to be an old man who continues talking about the Showa era. I don’t mind being called a nuisance old person. The charm of the era I lived through is something I don’t want anyone to deny.”

Takeda, who is also an avid reader
He says he reads books as if engaging in a dialogue with the author.
In his new book, he tackles a wide range of themes, from aging and family issues to erotic topics
He describes himself as a “Messenger of the Shōwa Era”
  • Interview and Text Hirotsuru Fujiyama Photography Takayuki Ogawachi

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