The “Emu Yumi Couple” who earned “500 million yen” in two years by distributing their lovemaking, their unexpected use of money, and their future goals.
The videos we post on Pornhub are sample versions edited down to a few to 20 minutes each. Each video has a link to the site, and you can go to the fan club service site by simply clicking on the URL that says ‘For the full version of the video, please click here.
Fees are set on a tiered scale from 500 to 5,000 yen per month for Fantia, and $20 per month for OnlyFans; current monthly revenues, including Pornhub’s advertising revenues, average about 20 million yen and top out at 40 million yen. I post my videos on multiple sites, including adult video sites XVideos and FC2, and I shoot about once or twice a week,” says Ryouchin.
The Pornhuber lifestyle has been going smoothly, but they are beginning to feel that the boom is coming to an end.
Actually, I think it may be time for the EmuYumi couple to quit, too,” said Ryochin. The adult video distribution business is not a business that can last forever. It is an industry with a rapid turnover, just like the number of sexy actresses who are in season changes every year. In addition to that, even gravure idols using AI have appeared. Right now it’s just images, but I think someday it will be video as well. If that happens, I will be no match for them.
With these circumstances in mind, I am planning to realize my long-held dream of living together in a place with a lot of nature and relaxing. I am currently studying to get an English visa for my girlfriend and an investment visa for me, with the goal of moving abroad, since it is difficult to get a work visa or an entrepreneur visa with only a Pornhuber. I started investing in stocks with 10 million yen as a trial, and was able to increase it to 14 million yen in a short period of time,” said Ryouchin.
With the money he earned from pornography, he became an investor and moved abroad. It seems that the reward for taking the risk and jumping into the world of eroticism was great.
Interview and text by: Keitaro Haga PHOTO: Takeshi Kinugawa